{"id":9910324,"date":"2024-07-05T15:42:42","date_gmt":"2024-07-05T15:42:42","guid":{"rendered":"https:\/\/sokol.co.uk\/?page_id=9910324"},"modified":"2024-07-15T12:20:57","modified_gmt":"2024-07-15T12:20:57","slug":"early-historical-manuscripts-printed-ephemera","status":"publish","type":"page","link":"https:\/\/sokol.co.uk\/early-historical-manuscripts-printed-ephemera\/","title":{"rendered":"Early Historical Manuscripts & Printed Ephemera"},"content":{"rendered":"\n
<\/div>\n\n\n\n

LOVELY ANONYMOUS SKETCHBOOK<\/mark><\/h4>\n\n\n\n
\n
\n
\n
\n
\n
\"[BAZZICALUVA,
<\/div><\/a><\/div><\/div>\n\n\n\n
\n

[BAZZICALUVA, Ercole?]<\/strong>.<\/mark> Album<\/em>. [c.1600].<\/p>\n\n\n

\n\t\t\t\t\t£<\/span>4,250.00<\/bdi><\/span>\n\t\t\t\t<\/div><\/div>\n\n\n

<\/p>\n\n\n\n

A lovely anonymous sketchbook, in a contemporary probably Lyonnaise binding, containing a small collection of pen and ink drawings.<\/em> The rural subjects appearing in this album, as well as their distinctive style \u2013 clear and precise strokes, cross-hatching lines to render shadow effects \u2013 are typically found in the works of the artists who belonged to the Florentine school of Remigio Cantagallina (1582-1656). <\/em><\/p>\n\n\n\n

\n
\n\t\t\t\tSKU:<\/span>\n\t\t\t\tL3657b<\/span>\n\t\t\t\t\n\t\t\t<\/div><\/div>\n<\/div>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

BAN ON WOMEN\u2019S \u2018VEILING\u2019<\/mark><\/h4>\n\n\n\n
\n
\n
\"PHILIP
<\/div><\/a><\/div><\/div>\n\n\n\n
\n

PHILIP IV. <\/mark>Prematica en que su magestad manda, que ninguna muger ande tapada, sino descubierta el rostro…<\/em><\/p>\n\n\n\n

Madrid, Pedro Tazo, 1639<\/p>\n\n\n

\n\t\t\t\t\t£<\/span>2,250.00<\/bdi><\/span>\n\t\t\t\t<\/div><\/div>\n\n\n

<\/p>\n\n\n\n

A most interesting, scarce piece of legal ephemera concerning a C16 and C17 fashion called \u2018tapado\u2019 or \u2018veiling\u2019, by which women walked around in public with their faces covered, except for the eyes. \u2018El tapado\u2019 was first prohibited in 1586, targeting especially Morisco women wearing the Muslim veil; by 1639, when the fashion had spread to Christian women, the law had been re-stated 4 times, with increasing fines.\u00a0<\/em><\/p>\n\n\n\n

\n
\n\t\t\t\tSKU:<\/span>\n\t\t\t\tL4437<\/span>\n\t\t\t\t\n\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

BAWDY VENETIAN MASKED BALL \u2013 EARLY ILLUSTRATION OF THE RIDOTTO GAMBLING HOUSE<\/mark><\/h4>\n\n\n\n
\n
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\"[MINIATURE
<\/div><\/a><\/div><\/div>\n\n\n\n
\n

[MINIATURE PAINTING].<\/mark><\/strong> Masked ball at the Ridotto.<\/em> Probably Venice, [late 17th century]\n\n\n

\n\t\t\t\t\t£<\/span>17,500.00<\/bdi><\/span>\n\t\t\t\t<\/div><\/div>\n\n\n

<\/p>\n\n\n\n

An intriguing painting on vellum, fresh and in very good condition\u2014the souvenir of a northern amateur artist\u2019s visit to Venice and its notorious nightlife.<\/em> The scene is set at the famous Ridotto, a wing of Palazzo Dandolo which, from 1638 to 1774, was a gambling (and flirting) hall frequented by all ranks of Venetians, from prostitutes to aristocrats. (In the mid-C18 it would become one of Casanova\u2019s favourite hunting grounds.)<\/em><\/p>\n\n\n\n

\n
\n\t\t\t\tSKU:<\/span>\n\t\t\t\tXP1<\/span>\n\t\t\t\t\n\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

CAMBRIDGE STUDENTS\u2019 MS NOTES AND CODED TEXT, c.1530<\/mark><\/h4>\n\n\n\n
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\"[CAMBRIDGE
<\/div><\/a><\/div><\/div>\n\n\n\n
\n

[CAMBRIDGE UNIVERSITY.]<\/mark><\/strong> Coded text and verse by Cambridge students.<\/em><\/p>\n\n\n\n

Manuscript on paper, [England, c.1526-35].<\/p>\n\n\n

\n\t\t\t\t\t£<\/span>4,950.00<\/bdi><\/span>\n\t\t\t\t<\/div><\/div>\n\n\n

<\/p>\n\n\n\n

A most interesting, serendipitous survival \u2013 a collections of verse, quotes, doodles and a coded text, produced most probably by university students in Cambridge c.1526-35. On fol.2v is the date 1526, in an early hand. The numerous ms invocations such as \u2018In nomine dei\u2019 etc., suggest these notes were written pre-1535, the year when Cambridge University subscribed to the new Reformed regulations.<\/em><\/p>\n\n\n\n

\n
\n\t\t\t\tSKU:<\/span>\n\t\t\t\tL2740\/1\/2<\/span>\n\t\t\t\t\n\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

UNRECORDED IN THE US – ON MUSCOVY<\/mark><\/h4>\n\n\n\n
\n
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\"SCORZ,
<\/div><\/a><\/div><\/div>\n\n\n\n
\n

SCORZ, Geraldo<\/mark><\/strong>.<\/mark> Relacion verdadera de la insigne vitoria que alcan\u00e7o el rey de Polonia, contra el gran duque de Moscobia.<\/em><\/p>\n\n\n\n[Madrid, F. de Ocampo, 1634].<\/p>\n\n\n

\n\t\t\t\t\t£<\/span>1,250.00<\/bdi><\/span>\n\t\t\t\t<\/div><\/div>\n\n\n

<\/p>\n\n\n\n

Very good copy of this remarkable ephemeral survival\u2014an important witnesses to Spain\u2019s perception of Russia during the Siglo de Oro. First issued with a slightly different title in Seville by Juan Gomez de Blas, this work belongs to the popular European genre of \u2018relaciones\u2019, two-leaf folio news reports on major international events, here unusually concerned with Muscovy, a monarchy with which Spain still had little contact<\/em>.<\/p>\n\n\n\n

\n
\n\t\t\t\tSKU:<\/span>\n\t\t\t\tL2862<\/span>\n\t\t\t\t\n\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

THE ART OF GOLD<\/mark><\/h4>\n\n\n\n
\n
\n
\"[FLORENCE]\"
<\/div><\/a><\/div><\/div>\n\n\n\n
\n

[FLORENCE].<\/strong> <\/mark>Bando per conto de tiralori, battilori, tessitori d\u2019oro, e altri Artieri sottoposti all\u2019Arte di Por Santa Maria.<\/em><\/p>\n\n\n\n

Florence, nella Stamperia di Giorgio Marescotti, 1578.<\/p>\n\n\n

\n\t\t\t\t\t£<\/span>2,250.00<\/bdi><\/span>\n\t\t\t\t<\/div><\/div>\n\n\n

<\/p>\n\n\n\n

A remarkably scarce ephemeral survival of the first edition of this \u2018Bando\u2019 preventing all Florentine artisans working with gold from emigrating, and thus reduce the number and quality of skilled workers in Florence. Updating a similar bando printed c.1575, it addressed a wide variety of artisans working with gold within and without the Duchy. <\/em><\/p>\n\n\n\n

\n
\n\t\t\t\tSKU:<\/span>\n\t\t\t\tL3501<\/span>\n\t\t\t\t\n\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

WARRANT FOR MUSTERS AND DIRECTIONS FOR ARMS<\/mark><\/h4>\n\n\n\n
\n
\n
\"HOWARD,
<\/div><\/a><\/div><\/div>\n\n\n\n
\n

HOWARD, Thomas.<\/strong> <\/mark>Warrant for Musters [and] Direccions for Armes and furniture<\/em>.<\/p>\n\n\n\n

Manuscript on paper, [1605-1626].<\/p>\n\n\n

\n\t\t\t\t\t£<\/span>950.00<\/bdi><\/span>\n\t\t\t\t<\/div><\/div>\n\n\n

<\/p>\n\n\n\n

Warrant of the 1st<\/sup> Earl of Suffolk, Thomas Howard ordering a muster to be held at Wickham Market on the 14th<\/sup>-15th<\/sup> June. In listing format with charges for specific arms and equipment described, denoting \u2018what was and was not deemed to be allowed\u2019 as commanded by Thomas Howard himself. The former allowed for items including muskets.<\/em><\/p>\n\n\n\n

\n
\n\t\t\t\tSKU:<\/span>\n\t\t\t\tL3385\/2<\/span>\n\t\t\t\t\n\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

STUNNING ILLUMINATED MANUSCRIPT<\/mark><\/h4>\n\n\n\n
\n
\n
\"KRAK\u00d3W\"
<\/div><\/a><\/div><\/div>\n\n\n\n
\n

KRAK\u00d3W<\/strong>.<\/mark> Grant of citizenship<\/em>.<\/p>\n\n\n\n

Manuscript on vellum, Krak\u00f3w, 1630.<\/p>\n\n\n

\n\t\t\t\t\t£<\/span>9,500.00<\/bdi><\/span>\n\t\t\t\t<\/div><\/div>\n\n\n

<\/p>\n\n\n\n

Stunning illuminated manuscript granting the citizenship of Krak\u00f3w to Ioannis Stephanus Pusterla Venetus, i.e. the Italian Giovanni Stefano Pusterla Veneto. <\/em><\/p>\n\n\n\n

\n
\n\t\t\t\tSKU:<\/span>\n\t\t\t\tL3652<\/span>\n\t\t\t\t\n\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

ONLY RECORDED COPY?<\/mark><\/h4>\n\n\n\n
\n
\n
\"[MODENA].\"
<\/div><\/a><\/div><\/div>\n\n\n\n
\n

[MODENA].<\/mark><\/strong> Grida sopra il datio Della Carne, Pesce, & Oglio & dell\u2019Estrattione de gl\u2019Animali.<\/em><\/p>\n\n\n\n

Modena, Per Giulian Cassiani Stampator Ducale, 1636.<\/p>\n\n\n

\n\t\t\t\t\t£<\/span>1,250.00<\/bdi><\/span>\n\t\t\t\t<\/div><\/div>\n\n\n

<\/p>\n\n\n\n

An exceptionally well-preserved (and probably the only surviving) copy of the first edition of this \u2018grida\u2019 concerning taxes imposed on meat, fish, oil and their export. The \u2018gride\u2019 were ordnances or edicts issued by the authorities, which were then \u2018gridate\u2019 (declaimed loudly) by criers in squares to inform citizens. <\/em><\/p>\n\n\n\n

\n
\n\t\t\t\tSKU:<\/span>\n\t\t\t\tL3515<\/span>\n\t\t\t\t\n\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

15TH-CENTURY TIERRA DEL VINO<\/mark><\/h4>\n\n\n\n
\n
\n
\"[WINE].\"
<\/div><\/a><\/div><\/div>\n\n\n\n
\n

[WINE].<\/mark><\/strong> [Cambio de V\u00ed\u00f1as en Morales.]<\/em><\/p>\n\n\n\n

Zamora (Spain), Manuscript on paper, 1455.<\/p>\n\n\n

\n\t\t\t\t\t£<\/span>8,750.00<\/bdi><\/span>\n\t\t\t\t<\/div><\/div>\n\n\n

<\/p>\n\n\n\n

Remarkably well-preserved, ephemeral deed granting the use of a vineyard in Morales, near Zamora. This area, with the province of Salamanca, in north-western Spain, was part of the Tierra del Vino\u2014later a controlled designation of origin. The document includes a \u2018carta de troque, cambio y permutaci\u00f3n\u2019 (for exchange and permutation) and a \u2018carta de juramento\u2019 (oath)<\/em>.<\/p>\n\n\n\n

\n
\n\t\t\t\tSKU:<\/span>\n\t\t\t\tL3507<\/span>\n\t\t\t\t\n\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

BULLA DE CRUZADA<\/mark><\/h4>\n\n\n\n
\n
\n
\"[PAUL
<\/div><\/a><\/div><\/div>\n\n\n\n
\n

[PAUL III]<\/mark><\/strong>.<\/mark> Bull. Don Garcia de Loaysa\u2026contra el perfido turco y moros.<\/em><\/p>\n\n\n\n[n.p.], [n.pr.], [c. 1536].<\/p>\n\n\n

\n\t\t\t\t\t£<\/span>4,850.00<\/bdi><\/span>\n\t\t\t\t<\/div><\/div>\n\n\n

<\/p>\n\n\n\n

Extremely rare document\u2014unrecorded in major bibliographies\u2014reproducing a papal bull seeking to raise funds for the Ottoman wars, sent by Pope Paul III to Charles V on August 4, 1535 and probably printed by one of the authorised Spanish indulgence presses, Gumiel in Valladolid or Hagembachs\u2019 successor in Toledo (Norton). <\/em><\/p>\n\n\n\n

\n
\n\t\t\t\tSKU:<\/span>\n\t\t\t\tL3033<\/span>\n\t\t\t\t\n\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

LOVELY ANONYMOUS SKETCHBOOK BAN ON WOMEN\u2019S \u2018VEILING\u2019 BAWDY VENETIAN MASKED BALL \u2013 EARLY ILLUSTRATION OF THE RIDOTTO GAMBLING HOUSE CAMBRIDGE STUDENTS\u2019 MS NOTES AND CODED TEXT, c.1530 UNRECORDED IN THE US – ON MUSCOVY THE ART OF GOLD WARRANT FOR MUSTERS AND DIRECTIONS FOR ARMS STUNNING ILLUMINATED MANUSCRIPT ONLY RECORDED COPY? 15TH-CENTURY TIERRA DEL VINO […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9910324","page","type-page","status-publish","hentry"],"yoast_head":"\nEarly Historical Manuscripts & Printed Ephemera | Sokol Books<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sokol.co.uk\/early-historical-manuscripts-printed-ephemera\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Early Historical Manuscripts & Printed Ephemera | Sokol Books\" \/>\n<meta property=\"og:description\" content=\"LOVELY ANONYMOUS SKETCHBOOK BAN ON WOMEN\u2019S \u2018VEILING\u2019 BAWDY VENETIAN MASKED BALL \u2013 EARLY ILLUSTRATION OF THE RIDOTTO GAMBLING HOUSE CAMBRIDGE STUDENTS\u2019 MS NOTES AND CODED TEXT, c.1530 UNRECORDED IN THE US – ON MUSCOVY THE ART OF GOLD WARRANT FOR MUSTERS AND DIRECTIONS FOR ARMS STUNNING ILLUMINATED MANUSCRIPT ONLY RECORDED COPY? 15TH-CENTURY TIERRA DEL VINO […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sokol.co.uk\/early-historical-manuscripts-printed-ephemera\/\" \/>\n<meta property=\"og:site_name\" content=\"Sokol Books\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sokolbooks\/\" \/>\n<meta property=\"article:modified_time\" content=\"2024-07-15T12:20:57+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@sokolbooks\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/sokol.co.uk\/early-historical-manuscripts-printed-ephemera\/\",\"url\":\"https:\/\/sokol.co.uk\/early-historical-manuscripts-printed-ephemera\/\",\"name\":\"Early Historical Manuscripts & Printed Ephemera | Sokol Books\",\"isPartOf\":{\"@id\":\"https:\/\/sokol.co.uk\/#website\"},\"datePublished\":\"2024-07-05T15:42:42+00:00\",\"dateModified\":\"2024-07-15T12:20:57+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/sokol.co.uk\/early-historical-manuscripts-printed-ephemera\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/sokol.co.uk\/early-historical-manuscripts-printed-ephemera\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/sokol.co.uk\/early-historical-manuscripts-printed-ephemera\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/sokol.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Early Historical Manuscripts & Printed Ephemera\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/sokol.co.uk\/#website\",\"url\":\"https:\/\/sokol.co.uk\/\",\"name\":\"Sokol Books\",\"description\":\"Early Books and Manuscripts\",\"publisher\":{\"@id\":\"https:\/\/sokol.co.uk\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/sokol.co.uk\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/sokol.co.uk\/#organization\",\"name\":\"Sokol Books\",\"url\":\"https:\/\/sokol.co.uk\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\/\/sokol.co.uk\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/sokol.co.uk\/wp-content\/uploads\/2016\/12\/Untitled-1.jpg\",\"contentUrl\":\"https:\/\/sokol.co.uk\/wp-content\/uploads\/2016\/12\/Untitled-1.jpg\",\"width\":1890,\"height\":1890,\"caption\":\"Sokol Books\"},\"image\":{\"@id\":\"https:\/\/sokol.co.uk\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/sokolbooks\/\",\"https:\/\/x.com\/sokolbooks\",\"https:\/\/www.instagram.com\/sokolbooks\/\",\"https:\/\/uk.linkedin.com\/company\/sokol-books-ltd-\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Early Historical Manuscripts & Printed Ephemera | Sokol Books","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/sokol.co.uk\/early-historical-manuscripts-printed-ephemera\/","og_locale":"en_GB","og_type":"article","og_title":"Early Historical Manuscripts & Printed Ephemera | Sokol Books","og_description":"LOVELY ANONYMOUS SKETCHBOOK BAN ON WOMEN\u2019S \u2018VEILING\u2019 BAWDY VENETIAN MASKED BALL \u2013 EARLY ILLUSTRATION OF THE RIDOTTO GAMBLING HOUSE CAMBRIDGE STUDENTS\u2019 MS NOTES AND CODED TEXT, c.1530 UNRECORDED IN THE US – ON MUSCOVY THE ART OF GOLD WARRANT FOR MUSTERS AND DIRECTIONS FOR ARMS STUNNING ILLUMINATED MANUSCRIPT ONLY RECORDED COPY? 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